[Sample Pack] SP404 mk2 Session 54

These samples were recorded as part of my In Five series for the SP404 mk2 Session 54.  I used a Teenage Engineering OP-1 and a Chase Bliss Audio Mood to do a bit of sound design/exploration and to have some fun.  Nothing fancy here, but since Spicy Boi asked over in the YouTube comments for the samples, I’m providing them for anybody to grab.

‘Session 54.5’ by Greg Sterling at http://www.neartao.com is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.  To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/.

Permissions beyond the scope of this license may be made available upon request by visiting http://www.neartao.com/permissions/ to find contact information.

This sample pack contains 16 samples in the .wav format, 16-bit rate, and 44.1khz

Proj1_7-01 New Sample.WAV

Proj1_7-02 New Sample.WAV

Proj1_7-03 New Sample.WAV

Proj1_7-04 New Sample.WAV

Proj1_7-05 New Sample.WAV

Proj1_7-06 New Sample.WAV

Proj1_7-07 New Sample.WAV

Proj1_7-08 Backing Sample.WAV

Proj1_7-09 New Sample.WAV

Proj1_7-10 Backing Sample.WAV

Proj1_7-11 Backing Sample.WAV

Proj1_7-12 Backing Sample.WAV

Proj1_7-13 Backing Sample.WAV

Proj1_7-14 Backing Sample.WAV

Proj1_7-15 New Sample.WAV

Proj1_7-16 New Sample.WAV

Roland SP-404 mk2 Guide v0.27

This is a first pass to try and incorporate all of the changes that came in for Firmware 3.0. I am quite certain I’ve got to go back and rewrite sections, organize some data differently, and overall rethink how this guide is put together. That said, I did spend a lot of time trying to get everything together.

In Five Overview

kf6gpe over on my discord server asked about my process, and while I am more than happy to have a discussion about it, I figured it might be worth writing down in a blog to capture for others in the future as a distinct artifact.

Before I get too deep into this, I wanted to let you, the reader know, that I’ll be intermingling thoughts of what I do with why I do it. This post will probably straddle the line between practical advice and philosophical discussion. If that’s not your cup of tea that’s okay. There are definitely plenty of resources out there, and I wish you well in finding what you are looking for!

Without further ado though, let’s get into this.

Background

Plenty of people in the past have told me I have “the gift of gab”. I am fully capable of talking too much, and when I feel like it I don’t mind being theatrical. This theatrical bent usually leans towards comedy, and I’m the type of person who tends to try and find the humor, even if it is very dark humor, in just about every situation. Over the decades I have learned to listen more, and better appreciate the people, places, and things around me, which honestly, better helps me understand who I am and how I may fit within the world.

I’ve spent a lot of my life concerned about what people thought of me or what I had to say, and this has led me to getting a pretty good filter between my brain and my mouth. I also have figured that anything worth doing ought to be memorable, so if I’m going to be worried about making mistakes, at least do it spectacularly. As a result, throughout grade school and college, many of my classmates were in general, terrified of doing presentations after me. I would practice in my head and out loud what I wanted to say, until it felt natural, and I was confident that I could leave a lasting impression.

There is also a big part of me that enjoys learning things, literally just about anything, I have too many hobbies/interests and not enough free time… it is a problem. That said, the challenge of taking something complicated, obtuse, or otherwise difficult to understand, and teaching it to somebody makes my day. I’ve never really been looking for money, accolades, or anything else… just knowing that I can put something of value out into the universe is kind of enough by itself.

Before YouTube existed, I was actually doing a video art tutorial series that I called “Painting In Five” that I was teaching different techniques and processes for how to do sketches, paintings, and all that, that I was posting for free. It was actually pretty popular, but at the time I wasn’t in a really good space to make ends meet, didn’t have a lot of free time, and I didn’t have a way to monetize any of the work or turn it into a business. My dream at the time was to get into creative media, but that’s not the career that I had chosen, and when YouTube became a thing, I really thought about posting the videos “just to see” what might happen with them, but the video encoding became a problem, and I just kind of gave up.

A lot of things happened since then. I’ve been through a *lot* of different jobs and positions, I got married and had a child (well still have, but she’s a teenager now), I went back to school to get my MBA and passed with a 4.0 GPA, and since the pandemic I’ve slowly been getting free time back. Completing the MBA freed up a lot of time, which pretty quickly was consumed by reconnecting with my wife and daughter. My daughter, as a teenager, mostly just needs me to drive her around and isn’t quite as keen to hang out (though I do cherish the times that she actually wants to hang out, play a board game, work on a puzzle, watch tv, play video games, etc…). Lastly, I’ve moved out of super high stress jobs (for now), where I had been on call, managing lots of people, and all around having to be “plugged in”. As you can imagine, life has continued to change for me, and I’ve been looking for ways to fill some of this new free time.

So how did I get here… well it just felt like something I could do. Also, the advent of the synthfluencer has really irked me. There are folks out there who are working hard and providing excellent information, but (I know this is reductive) a lot of what I see tends to fall into one of two camps. The first camp is “hey check out this new gear” and just seems to be looking to score as the “first” for early searches and impressions. Sure, I get it, but I also feel like I can form my own opinions about gear. The second camp is “come buy my masterclass”, but they don’t really feel like they care that much about the gear either, and just kind of “go through the manual”. It leads to a lot of “what does this device do” (which, I can figure this out on my own) and not “why or how would you use this device” (which, actually takes work, time and discipline).

Which leads me to why did I do any of this in the first place. Well, I don’t particularly want to be an influencer of any kind. I mean, I know it happens naturally to some extent by putting yourself out there. I’ve got (some) brands asking me to showcase their products, and sure… why not, but it’s not the point of why I got into this. I’d rather be an educator and show people that they can actually use this gear. Purchasing it is the easy part, but it takes time and dedication to get good. Just like my old art videos though, I wanted to show that there are easy, foundational steps, and if you just do a little bit at a time you *will* get there. Nothing magical about it really, and it’s also why (to the chagrin of some of my viewers) I leave many of the mistakes in my videos, because it is *okay* to make mistakes. Mistakes are part of the learning process, and we all make them. A true artist knows that a part of their product is founded on the basis of their mistakes, and having the foresight to know when to accept the mistake, and when to remove it.

Objectives

So, I already wrote an essay just on background and how I got here, but it should help to now give some explanation of where I am going. What follows is just a list of mental checkmarks for me, in no particular order or priority, that I’ll break down further.

Create a consistent and sustainable process to create content

I believe that anything worth doing is worth doing often. To that end, I figured that doing a video series would teach me a lot about how to do it. From what specific gear I needed to what software and tools would help, as well as just coming up with a process to actually do all of these things.

Even though it wasn’t where I wanted to start, I kicked off the series using my iPhone to capture video and the Zoom H6 for the audio. It mostly worked, though it had some flaws. In particular I wasn’t happy with just how I had to set everything up, it was an awkward mess of cables, the order everything had to be turned on was critical to getting the right audio track. It was a good start, but felt kind of fiddly. I think I ran with this setup for 3 months, and kept notes of what I wanted to say, as well as what order to start/stop everything to avoid problems. Honestly the biggest problem here was probably the Zoom H6 because at about -6db on the meters it would start clipping audio, which… is… frustrating, and led to a lot of quiet videos.

I forget the order of things, but around this time I moved over to the Shure SM7B with some rack effects (tube/gate/compressor/exciter) and to the GoPro 10. I used this setup for about a year… so pretty good longevity… though not great.

The Zoom H6 microphone/clipping was definitely driving me nuts, and I wanted to get a better output. I know I tried using the Zoom H6 with the Shure SM7B, but continued to have clipping problems. Similarly, I was thinking I wanted to upgrade to 4k recording I would get the GoPro 10 and the media kit. The nice thing about the GoPro 10 with the media kit is that you can plug a line in from a mixer, and it will sync the audio to the recorded video. It works well enough most of the time, but sometimes the GoPro just decides to pick up from its’ own microphone, which leads to bunged up videos that you can only hear me talking and no audio from the SP404 mk2 (or whatever other device I’m using).

Lately, I’ve been trying out OBS and webcams. I may try and setup the GoPro 10 as a webcam source, but I ended up picking up a Logitech Brio and an Elgato Stream Deck so that I can have a setup across the room, and then just push a button to start/stop recording on the Stream Deck. This actually saves me time from having to copy files off of the GoPro to the computer, and then upload… instead when I’m done recording session files in OBS I just upload them straight to YouTube. I’m hoping to get another year or two out of this setup/process at least… though I suspect what is likely to change the most (such as camera positions/shots) will be additive to this setup instead of a full on change of everything.

Embrace Change

As you can see from above, I’ve changed the setup several times over the course of the SP404 mk2 In Five video series. I suspected from the start that I would likely end up with an OBS setup, as it gives a lot of power and flexibility, but early on, while I was trying to just get started, OBS felt like a hurdle I wasn’t ready to cross. It was going to be a lot of investment of time to learn how to setup and position cameras, route audio properly, and then setup all kinds of scenes in OBS. Honestly, if I had started with OBS I’d give myself a 50/50 chance of having made it to where I am today because either it would have worked, or I just would have gotten frustrated and moved on.

Starting simple with what I had on hand allowed me to leverage what I knew, and gave me a clear path of how to grow in unforeseen ways. When I started the video series, I figured I’d do 90 or so and be done, but since a bit of an audience has grown with me, I’ve also been able to get some guidance and suggestions from people out there in things to try and directions to go.

Invest no more than five minutes of my time per recording minute

After I had finished up my Painting In Five series, and YouTube had been out for a while, I had heard it said that the average minute of finished video took at least sixty minutes to work on before it was posted. My Painting In Five series had been pretty successful, and it was mostly me just recording live, no video processing, maybe doing a few retakes, and then just loading the videos up to a server. It’d say on average I was investing three minutes per “finished video minute”.

Could I polish up my videos more? Certainly… there’s all kinds of room for improvement. I’ve got lighting issues, I’m adjusting the SP404 mk2 output by ear, trying to remember to speak loud enough and consistently enough. While I do retakes from time to time, I’d say it’s about one or two videos out of ten that require a retake, and frequently it will be one part of a video that I struggle with that takes two or three retakes to get it “correct”. Correct for me doesn’t mean perfect, just that I’m not leading the viewer down really incorrect processes and workflows, or making blatantly incorrect statements (though this does happen from time to time). All this stuff, though it adds polish to the videos, also isn’t really what I feel like I’m about. If somebody reached out and said “Hey, do you want to work together on making some high quality videos” I’d certainly consider it, but I just don’t know that it fits the direction I’m going. Plus I would also be concerned that with investing that kind of time there would be heightened pressure to get views, make money, and probably take the fun out of it.

At any rate, this has lead me down the path I am at, where I am really focussed on trying to do about five to ten minute videos daily, or around thirty to sixty minutes of content a week. I’d say on average I’m investing about two to four hours of time a week to this project, so it is pretty easy to slip in recordings once or twice a week around breakfast or lunch time.

Keep focus on the content, and answer not only the what’s, but also they why’s

Where I feel a lot of educational content falters is that it gets the “what” down, and that is easy enough to edit for and make sure it is correct. Yet I think most people value the “why” and the flow of it. When learning something new, it’s easy to get lost in all of the “what” information that may or may not be useful to you at that point in time, but for me at least I always feel like I understand things more when I can understand the “why”.

It is super easy to get lost in the what am I doing, and not why am I doing it. I try to remind myself in my videos to make sure I am calling out what buttons I am pressing or knobs I am turning, and explain why I am doing it. Saying I am going to chop mode is fine, but explaining why I am in chop mode and why am I going for specific settings I am hoping explains to the viewer why they may want to do the same thing.

This might also explain to some extent why I am trying to break the videos down into five or so minute chunks, in a larger context of a session. There is the core “action” of what I am trying to accomplish in any particular video such as chop up a loop to make a new sound, create a pattern to build up towards a song, or make a song so that I have something to share with friends. Any individual part of the session should mostly stand on its own to teach somebody a component, and if they understand why I am breaking things down to sessions they can then view how that single component may manifest itself into a broader set of actions or processes that they may also want to take.

I’d say finally, but it’s probably where I’ll just end this part of the topic for now, is that I also think it is easy for people to see what somebody else did over the course of an hour or two hour long video, and just get lost and figure they don’t have the skills to do something. Most things really aren’t that hard to learn, but it requires taking an approach to break them down. With the five minute videos I’m trying to show anybody who wants to listen that they can, with a little bit of guidance, start from nothing, to having something that they can work into a song in thirty minutes or so. My gut tells me that anybody who wants to follow along, and just take a few minutes a day, even if it takes them a week, can still get to an outcome that I can.

Do the most good by providing the content to people for free

For me, I just feel strongly that as much information that can be provided for free should be made free. I know I am giving people some access to my life, and time, and not charging for it, but not everything in life needs a dollar sign in front of it. I’m mostly along for the ride here, and it’s been nice to see people appreciate the work that I am doing.

If people want to donate for the work I have already done, I’m happy for it. I also put right in the guide for people to pay it forward and write me about what they did. Nobody has done this yet, over the year and a half that the guide has been out there, I just have to hope that I have influenced somebody to pay it forward, but who knows. Beyond that, the guide has maybe made $40 or so in donations, and with YouTube ad revenue I haven’t seen any income yet. I’m not listing any of this here to shake anybody down or ask for money, just to let folks know that as they read this… you better be getting something out of it than an expectation for a financial gain. For me, I’ve gotten a lot of experience, I’ve made some new acquaintances and friends, I’ve learned more about the SP404 mk2 than I ever thought I would, and hey… I’ve mostly had fun doing it too.

I could get bummed about all of this, look at the investment of time to income, and just throw in the towel, but I can see that what I’m putting out there is having some kind of impact. I get the occasional “thank you for this” comment/email, people reach out in various ways to ask for help, I’ve had fun conversations in Discord, and I have just been taking it all in.

Fully own your own content and do not hedge on the future

To start, and this fits in with keeping the content free… I know if I start charging for content, or do it in the wrong way, that I will become beholden to something outside of what I am trying to create. It might sound weird, but the freedom for me is that I can just end this project at any time, or pivot to go do something else, and I will feel okay with it. I’m not providing some kind of service for people to get access to my time, instead I am (for the most part) giving access to my time for free. An argument could be made about monetizing the YouTube videos to include ads… but I’m just trying things out, and I’m hoping they aren’t too intrusive.

This one I have to check myself from time to time, but I’ve also considered experimenting with content a bit… and have taken some feedback from people who are following my content. To start, I don’t have any problem with people making money or charging for their time. I have a job, and I’m certainly not giving my work time away for free. On the flip side though, I do have the luxury that I have a job I can lean on, and enough financial freedom to do something like this for free, and buy new hardware as and when I need to without needing to ask viewers or readers to donate. As a result, I’m not paywalling anything, and honestly I think that just goes with my brand as it were, while I develop it. I just want to make it clear, I have no problem with anybody making money off of their content, but I do feel like the expectation of quality from the consumer needs to be met as much as possible.

And guess what that means for me, by not charging for content, I get to have the luxury to take my time to put content out there. I have thought about charging for videos, sample sets, books, or other things, but then I also need to consider that (for me) I would then be beholden to those people who pay for those things, and be on a consistent timeline to deliver content. I suppose it comes down to, do I want this to be a job, or do I want this to be a hobby. I have the luxury to just keep it as a hobby, where I sometimes put deadlines in place for myself, while others who do this kind of work for a living do not have that luxury.

Don’t waste time asking for likes, subscribes, money or donations

Perhaps my thinking is flawed, or because of how I am approaching this it leads me to not caring, but I am *so* sick of every video or post I see having a “don’t forget to hit like and subscribe because it helps”. Partly from other people doing that I guess it should be ingrained in the culture now, but I also don’t feel like I need to peddle for likes and subscribes, or whatever. If people want something from me, they know how to get ahold of me. Every video has a donation link and the like and subscribe buttons are already there.

The videos are intended to be five minutes long on average, which doesn’t leave much time for the intro and outro already… Could I grow a larger audience by asking? I guess, but I also don’t depend on an audience to pay the bills, so another luxury for me. Beyond that, I feel like I have roughly the amount of audience engagement that I can support for doing this for free. I get about 3-10 YouTube/emails/discord messages a day, and most people are quite patient to get a response. Much more than that, and I’d probably need to consider asking for volunteers to help, or staffing to get people involved, which… I make no meaningful income from any of this work. At the very least, it’s a problem I can push off for future me to worry about 😀

Video Recording Process

Well if you’ve made it this far, you should get a golden star. I’m just going to go over what I am doing today, instead of trying to go over everything I used to do.

Setup

My current setup is a Mac Mini M2 Pro, that is running OBS. I’ve got a single USB 3.0 cable and an ethernet cable running to the other side of my room that actually has all of my recording gear. This allows me to create scenes for doing things like the handful of “Office Hour” streams I’ve done where I have shared a screen, have my camera pointed at myself, and sometime switch to a “SP404 mk2” view.

The main thing that makes a lot of this work is that I’ve got a powered USB 3.0 hub that I can plug all of the USB based gear into over on my music desk.

On the music desk side, I have my microphones connected up through the Behringer Tube/Gate/Expander/… This goes into a mixer, along with any other audio gear such as the MPC or SP404 mk2 that I want to be connected into the mixer. This mixer then connects to my Teenage Engineering TX-6 which goes into the USB 3.0 cable line to provide audio back to the Mac Mini.

Further, I’ve also got a Logitech Brio setup on my music desk, that is connected to a stand to hold it in position, and again, this is plugged into the USB 3.0 hub to get back to the PC.

Lastly, the Elgato Stream Deck is what I have hooked up to the USB 3.0 hub that allows me to control my PC through a simple interface. I can use it to quickly mute a mic, start and stop recording, and a bunch of other handy stuff. I’ll probably get one for my computer desk as well, but for now one is enough just to experiment with and learn what it can and cannot do.

Preparation

To make sure everything is working, I’ll turn the main power on for the music desk, then start switching on gear like the TX-6, instruments, and such. With that done, I’ll load up OBS and do a mic/mixer check to make sure that I can get my voice and instrument recording.

Then it is adjusting the camera to be in shot, and putting the microphone where I can speak into it without too much hassle, and trying to keep it out of the shot. Both my microphone and camera arms could really stand to be longer, but on the flip side I probably should consider doing some wood working to make some stands that put them more central to my setup… some day.

You might think that I go into this with notes and no exactly what I am doing. Sometimes I do have notes, for example when I ran through the 3.0 update I referenced the release notes, and had to dig into the manual a few times to understand what they were trying to communicate, but more often than not, I just start with an idea, such as a type of music to make, maybe do a little research, and then just dive in.

I’ll typically do a very short 30 second practice recording, and then play it on my computer, just to spot check that I can hear my voice, the instrument, and that there isn’t too much background noise getting picked up. From there, it’s off to the races and recording content.

Recording

It could be as simple as saying “I press record on the stream deck” and go… and often this is what happens and I just upload the video. Other times I’ll make a key mistake, or forget a button combination, and instead of spending a few minutes trying to figure it out and work my way through it, I’ll usually just stop the recording, delete it and start recording over again. As I said earlier, this doesn’t happen to regularly, and while practicing making the videos and having a script in the first place might help, it hasn’t been the style I’ve settled into.

With the Elgato Stream Deck, I can start recording when I am reading to start at the intro, and I can stop the recording when I am reading to stop at the outro. This works pretty well, because it leaves me without needing to do a lot of post processing and editing. Should I care to, or should I figure out how to streamline some of the other steps, perhaps I’ll decide to in the future, but as it stands, I get as output a single file with the video and a stereo audio track that are in time with each other in a single take. Obviously recording everything separately for video, mic track, and instrument track (and possibly more) would give me more flexibility to edit, but since I am trying to keep my process concise, this is kind of it for me.

Uploading Content

There isn’t much here to think about, I’ll just select the files I recorded and upload them to YouTube. I’ve considered getting a paid Twitter account to upload the videos to as well, or look at other places to upload, but it would add more time, and expense to my setup.

The biggest part here, is just tagging everything and adding descriptions. I am certain that there is a science here, but I’ve tried a few ways to get at this, and if I wait too long to tag them I can easily forget what the heck I actually covered in a video. I used to write down in a notebook what each session video was, but I’ve kind of stopped doing that. Bad habit on my part, and I should probably get back to it so that I can add better description details to my videos.

Updating Videos

So… YouTube editing seems to be sufficient, but not great for editing content. You can remove things, but there doesn’t seem to be a great way to overwrite. Usually when I’ve had a bad video (ie, no music audio), I’ll get a comment about it, and I’ll go back and remove the messed up video and try and re-record. Sometimes though I’ve recorded 2-4 weeks out in advance, and this becomes a hassle to try and rewatch the video, see what I was doing, and then go try and recreate the environment. In those cases I’ve often just deleted the entire session and started with the concept from scratch and gone back to it.

Streaming

With the current OBS setup, I have been able to get into streaming. I’ve had fun a few times doing it, especially when people hopped on to say hi and ask questions and I could show them things, but honestly, I think most of them have been boring. I’d probably need a broader audience to make this work, and I’d actually need to take some time to figure out how best to engage with viewers.

It’s possible, but will certainly take more effort on my part to make it work. Also, this is probably where I’d need to figure out how I wanted to monetize it the most, because honestly it is giving people the most direct access to my time… overall I’m not sure how I feel about it. Wait and see?

Next Steps

Well, I am trying to figure out what I want to do to continue

  • More SP404 mk2 videos, though I am looking at ways to mature them from “just the mk2” to get into other topics
  • Other instruments… I’ve done some OP-1, MPC, Force, and other videos and they did okay… I’ll have to decide if I want to pick up another instrument for a long time like the mk2 or not
  • Go back to artistic videos… I really did have fun doing the Painting In Five videos, and could see myself going back to that. I’m not so sure if the current channel could accept it or not though… I might just have to give it a try and see

Roland SP-404 mk2 Guide v0.26

Now I’m behind on getting updates to 3.0. This still covers firmware 2.01, but I’ll be pivoting to 3.0 soon, I promise.

I’m just excited to see 3.0 drop, and this update was really just to get me back in the habit of writing updates, in prep for whenever something big happened. Last week I tried doing some live streams to chat with folks while also working on the guide, some of them worked, and some of them didn’t. If you catch a stream, feel free to drop in and say hi, ask questions, give suggestions, or anything else.

SP404 mk2 Polyphony

Well… I finally decided to get back to working on the guide again… and I’m giving a try streaming a bit of the process while also trying to solve some problems. Here are two streams that probably should have been one, but I just need to get used to having a bit of dead air or something.

Stereo Samples Panned Mono Left

The first video shows the creation of a pattern using stereo samples, and I pan them left. We do not get to 32 pads playing, as the first 16 pads are still playing in stereo using up all 32 notes of polyphony.

Mono Samples

The second video shows the creation of a pattern using mono samples, and playing them actually allows all 32 pads to play, which is great!

Conclusion

For now it seems pretty clear that if you are solely sampling or resampling on the mk2, you are going to be stuck with 16 notes of stereo polyphony, wether you are sampling in mono or stereo, they come in as stereo samples, and will use 2 notes of polyphony regardless of how you pan them.  It’s not the end of the world, but it can be a bit restrictive, and indicates that Roland really should add some stereo to mono option, likely in the |START/END| menu, sometime in the future (post 2.01).  

If you really need 32 notes of polyphony, you’ll have to use the Roland mk2 application, or use your computer to convert/load samples onto your SD Card and make sure that they are mono.  Right now, those are your two options.

Resources

If you’d like to get the test project I put together, feel free to download it and play around.

Roland SP-404 mk2 Guide v0.25

So… a lot has happened over the last four(?!) months, for me personally… not so much the mk2 guide.

Let’s see, where to start? I got my first donation of $5 over at buymeacoffee.com, super cool, and big thanks. I know I keep telling you all it’s not necessary (it isn’t), and I keep doing all of this work for free, but I also want to say it is greatly appreciated. It’s going into my future gear purchase fund when I find the next device I want to dig into. I suspect I know what it will be, but well, let’s wait and see.

I’ve also just hit the ability to monetize on YouTube (yeah… or boooo), and I’ve just been playing with a few of the new videos to see about the hopefully minor popup advertisements. I’m really trying to keep these videos short and I don’t want to put people through an endless stream of advertisements. Besides, so far, I’ve only managed to make $0.27, so it’s not like the income would have any impact on my life, and I’m not suddenly able to make a career out of informational videos. Either way though, feel free to reach out to me if you’ve got any opinions on the advertisement stuff, I’d like to hear all of your thoughts out there.

I donated all of my old AM/FM radio gear, cassette tapes, 8 track tapes, players, and all that. I needed some space back and boy was that stuff all taking up a lot of room. Anyways, sent it off for a good cause and hopefully it will help get some money back into the local community.

What else? I’ve been toying with a few logo ideas, and I figured I’d try out a test run on this version of the guide. I know, it’s not the SP404 mk2 that we’ve all come to know and love, but that’s Roland branding, and I wanted to try something different out. I’ve got a few color versions I’ve been playing with as well, if something really sits well with me maybe I’ll try and get some merchandise together for a T-Shirt or something… I don’t know yet. For now, or maybe permanently, the guide will stick to black and white… and the logo seems to work alright.

As for the guide updates, it’s pretty much at the moment a “fix it up” kind of release. I tried to kill some more of the ??? stuff that I had left in there, and I took notes on sections I actually need to get back to for answering, because there’s a fair amount I had stubbed out, and never got around to adding still.

Then, there’s all the YouTube videos. I’m on the fence if I should document them in the guide, leave the guide and videos separate, or start drawing the two together. Where my head is at is that there’s a lot of interesting workflows that I’ve documented in the videos that would make a lot of sense in the guide, and there’s plenty in the guide that I could do videos on. Typing that up though, I’m not sure I want them that tightly fused together or not. I’ll think on it some more.

Anyways, thanks everybody for your support, it’s greatly appreciated whether it is dropping by discord to say hi, commenting on videos, emailing me, or dropping a few bucks as a donation, it’s all good to me.

Roland SP-404 mk2 Guide v0.24

Hey folks, guess it’s been nearly three months since I last updated the guide. Yikes!

This is my first pass at trying to get the firmware 2.0 changes wrapped around my head. I know I missed a few section updates, mostly in the settings area, and I am sure there are some shortcuts I need to wrap around to getting added into the guide, but by and large I do feel like I understand it pretty well now.

And what an update this is. It hasn’t completely blown my socks off, but the volume of workflow improvements, additions to the sequencer mode like step recording, zero point cross sample editing, simultaneous edit improvements, new effects, more skip back buffer… I mean this is much more than I think anybody was expecting, and on top of it there’s DJ Mode changes, and even just little fun changes like 404 vs 303 reverse playback styles. My hat is off to you Roland, you’ve done good. Most impressive to me is that I’m not seeing any obnoxious bugs yet either.

The trip to Brazil was fun, I managed to get a lot of beach time in without getting a sunburn, and I ate a lot of local food without gaining a substantial amount of weight. Now that I’m back home though, I am trying to get my life back in order, and get back to some habits.

Anyways, hope you all enjoy and have a great day!

303 Vinyl Sim Noise

A request over on Reddit came in for some Vinyl Sim Noise recorded off of a 303. Why? I don’t know… but maybe the user will provide some details.

To record this, I just hooked the 303 up to the 404 mk2, turned on the Vinyl Sim on the 303, turned off Compression and Wow, and did a few passes at Volume and Noise levels. After that, did the old record, and then exported to SD. Nothing fancy here… and with nothing else playing, at high levels it’s pretty noisy. Didn’t appear to be clipping on the mk2, so I think these should all be pretty clean… well as clean as it’s going to get.

For those who want to nerd out with noise, eat your hearts out.

Roland SP-404 mk2 Guide v0.23

A request came in to add a shortcut section, so I added an Appendix G and tried to organize it in a way that made more sense to me than what information is in the official manual.

If anybody has been wondering where the updates have been for the guide, well I’ve partly been lazy, I have been trying to figure out how to improve the YouTube videos for the mk2, and well I went on vacation. The vacation was with my family, we drove about 1200 or so miles to get down to North Carolina, and I had a lot of fun at both the Ocean Isles Beach, and then we spent a day in South Carolina at Myrtle Beach. I did bring the mk2 with me, and was able to spend the first day with my nephew showing him a bit about the mk2, but he is more interested in his iPad and using Garage Band at this time. We had fun, but beyond that I hardly touched the mk2. Not for lack of trying, but it was a lot of driving, keeping friends and family entertained, cooking, and at the end of the day just being tired. I’m hoping I’ll get some more time in July with the mk2 on my trip to Brazil with my family… *fingers crossed*.

Honestly I hadn’t been sure what to do next with the guide. I’ve had a few ideas, but nothing that felt like it was worthwhile enough to sit down by itself for. Somebody posted on discord a few days ago about the lack of a good Shortcuts guide, and that gave me the idea to just write up a few pages for how it would make more sense to organize to me. What I have so far isn’t perfect, but you can at least see shortcuts for Sample Mode, Pattern Mode, DJ Mode, Effects, and Settings. There were a few things in there that I realized I missed as well, so it will be a good exercise to keep adding to the shortcuts (or just a straight up commands) section, but also to drive that information back into the rest of the guide as well.

I also had been sitting on a few notes I had written down from people reaching out to me for other things, so you might see your name as a shout out in the guide if you happened to look around. Above that, I decided it was also time to just start scrubbing through all the ???s I had left around. I’ve learned a lot more about the mk2 over the last several months from when I started, and figured it was time to start answering questions for real. That brought me down from about 120 ??? to 71 ??? I believe was the last count. Some of them will take some legitimate time to setup and run experiments, but a lot of it I believe is still worth digging into.

The last, rather minor detail, is I decided I am going to start replacing some of the image content with vector graphics. Do I technically need to save space on the file? Not really, but I also have been seeing the file size continue to grow rather rapidly into something that I could see getting a bit out of control. As a result, I’ll probably just keep designing little symbols for a bit to get the file size back under control, and then I can save the images for things that actually deserve more detail, or aren’t just copy/pasted throughout the document.

I suppose all of this is a long way to say, I am still around, I am still taking input from the community, and I do still want to get folks the best information possible.

Roland SP-404 mk2 Guide v0.22

The update is mostly focussed on the Midi and Companion App chapters

I suppose the “big news” is that firmware version 1.15 dropped. It fixes a couple of bugs, I don’t think I ever hit them. Given this rather weak update for the mk2, my suspicion is that we’re not likely to see anything terribly interesting for firmware updates until the supply chain issues work themselves out. I get it, Roland wants to get the most market bang for the buck, and if they are continuing to sell through stock before it ever hits the shelves, then there is no reason to do anything expansive until they need to be able to drive more business. I’m happy to be proven wrong, but I just don’t think belly aching about the lack of new filters, or new features, or whatever you’d like is going to get much traction right now.

The overall state of the guide is starting to come together in a good way. I know I have a lot more random sections to fill out or get clarity on, but by and large the guide is pretty well fleshed out, and has a lot of the information I had set out to put together. For people that have reached out about it, I do recognize that updates have also slowed down a bit for the guide. It actually has little to do with making the videos, and more to do with moving into spring time, helping my family with some person things, and trying to figure out where music fits in to my life. I could see myself selling off most of my gear (possibly the mk2 as well) and being incredibly happy with 3-4 instruments that I could learn far more deeply than I can with all of the gear that I currently have.

For those of you who keep reaching out, whether through the discord channel, forum posts, YouTube comments, email, feel free to say hi or ask questions. I’m trying to keep up and help where I can.

Stay cool everybody, and have a wonderful day. Until next time…