LoFi Buttery Piano – Akai MPC X Program

Let me start by explaining the patch a bit, and how I got here…

Life started off on the Akai S950, using piano multi samples from G1 through C4, every sixth note… My goal was to get some of that S950 12-bit grit and artifacts, but still keep it relatively free of the crazy stretching artifacts you can get by just sampling a single note and stretching it across the entire keyboard. This way, it maintains a lot of the characteristics of a piano, instead of heading into the field of creating what sounds like a more synthetic instrument.

From here, I routed the audio output into my guitar pedal board. The output on the S950 was a bit hot coming out of the mix channel though, requiring me to get the output level down to about halfway so that I wasn’t hearing any clipping or distortion on the output signal from the S950. A little bit of strategic EQ’ing helped to round out the sound through Brothers, I wanted to get a bit of that old school Casio sound, though I don’t have one handy any more for reference, so I was going from memory what of “that sound” was.

Once I settled into how I wanted to EQ the audio, I routed it to the Generation Loss. You’ll definitely hear the Flutter the most, but there is some Wow in the background as well. I also switched on the Noise, I really wanted it to sound like the piano was recorded from an old school tape that had been played quite a bit, and the tape player was about to fall apart. This definitely shines through in the samples recorded.

Everything was sampled in through the Autosampler on the MPC X, and here I recorded every note, as I didn’t want the Wow or Flutter distortion to get further distorted through the sampling engine on the MPC. Although the noise exists in the samples, I decided to tame it a bit by adding a low pass filter into the program. It helps pass through that strained sound without the piano sounding so harsh. If you want to add the noise back in just go into program mode and modify KeyGround->All and open that filter up.

Anyway, feel free to play around with this program, I had fun sampling it, and may end up adding some variations as I play around with it. I’m not sure you can tune anything to it or with it, but it definitely has a vibe all its own.

Insert Original Song Title Here

This is just messing around with the Akai MPC X, I tapped out a beat using the Rawcutz sample pack, and for those that care the sound kit is “HipHop-Kit-RC Ace Kit 95.xmp”. Yeah yeah… I usually do my own chopping and sampling… but I was more interested in just putting something together quick and checking out how hot the output levels are on the MPC X, and how badly distorted it would get going through the Chase Bliss pedals.

For one… the level and impedance are a bit too much for the pedals, unless you want a distorted and over driven sound. You don’t have direct control with a knob for the outputs 3-8, so you’ll either need a mixer, or in my case, I just dropped the output by -20db. This seemed like the right amount. This also means that to get back from guitar pedal level, back to line level, you’ll need to bring the signal in a bit hot again. You can absolutely create clipping/over drive problems doing this, and it might be on output or on input issue, but you’ll just have to trust your ear… or get fancy out board gear to measure your signals.

This isn’t anything terribly fancy, I was just having fun blasting the sounds through the pedals and seeing what came out. I’m pleasantly surprised that the Spectre did not go into immediate whale calls, because that’s a frequent side effect of this pedal. For this play through, I was less excited by the Brothers pedal, to my ears it just made the signal too hot. I’ll have to experiment with pedal ordering some more, and it’s possible Condor would help a bit with sound sculpting in this case.

Back to jamming!