I’m not really happy with this, but I also had a bit of a gap for #Jamuary. Guess it was too much to think I’d put something together every day. On the other hand, it is freeing to have just taken a few takes, and going for the best of them so that I can move on.
There really isn’t anything too special here, and I actually sampled way more than I ended up using. Some of the other tracks I’ve posted I’ve been thinking of going back and actually tracking them out and mixing them up a bit, but this one I was super into last week, and now it just kind of falls flat for me.
Another thing of note, I decided not to use any of the PO-33 FX, and it was probably the right call in this case, I wasn’t exactly feeling the track, and while the PO-33 FX can add some fun, it helps to enjoy jamming with the track.
My last note, I usually spend time balancing out the guitar pedal effects, but you can very clearly hear that the audio levels bounce around. I am not proud of this, but again, probably best to just get something down and out sometimes. It’s now time to move on from this track and start recording in some more samples 😀
The image is courtesy of a road trip I did with my family from the East Coast out to Montana. On the way back we stopped at an amethyst mine, and I got some really cool pictures of some older beat up vehicles. There was some really cool stuff going on here, and we got some neat amethyst crystals to bring back home with us.
As for the song, nothing too fancy here, just using samples of thumps and bumps from everyday objects. A lot of the magic is just pitching things up and down, using filters… and then just jamming it out. I’m going to stick with the PO-33 a bit longer, but a lot of the initial magic playing around with the FX again is a bit gone, it has now gone from being novel to producing some pretty similar sounds to my ear. The device is still fantastic, and it might just be time for me start considering what I am going to move on to for a device to keep going on making tracks.
This is also another track I struggled with sounding like two different songs from the two four bar patterns I created. To remedy this I tried to create a couple two bar transitional sections to get it a bit more under control. I’m pretty happy with the results, and decided to take it for a spin through the Chase Bliss Audio effect monster. I’m pretty happy with it, but I think it’s time for me to play around with the ordering of the pedals soon. They weren’t put into any particular order other than what I thought might be interesting a couple of months ago.
I don’t think I have hit the end of creativity with this little device by any means, and I’ve definitely spit out more content in the last week than I have in the last few months, but it is also what it is. Maybe I’ll try and knock out another six to ten tracks, and actually write up more thoughts on it. Where I am is perhaps just a six or seven day slump. Too much creative energy expended?
The image comes courtesy of a business trip to Bangalore. The pool with the blue lights looked amazing so I had to take a picture. I’ll have to keep an eye out for more of these eye catching images… and maybe I can do a better job getting a “live” photo on my phone… or a video… so I can work out some neat video tricks versus just having a video of me clicking on guitar pedals and such.
The friendship bracelet is courtesy of my daughter. While my wife has been away on vacation, my daughter decided to make friendship bracelets for the family. She has taken it away a few times, when I’ve been more parent than friend, but for the time being I have it back 😀
The plucking string/harp sound really kicked off this song. I heard it, and new I had to use it in a song. For whatever reason it reminded me of the glass bells sound you used to find in a lot of older hip hop songs, which meant this had to be a hip hop track. I mean seriously… listen to that sound, in all its glory!
Today I really only constructed ten patterns. Two four bar loops, and a couple of transition/drop patterns. I liked how it came out, but it felt like it needed a bit more FX so I processed it through my mad Chase Bliss Audio science lab. Mistakes were made in the recording of this track, but an artist is supposed to take the mistakes a build on them. I’ve built a tower!
Listening to the track again, I think the Condor could have been used to reinforce the bass for most of the track, the bass is a bit wimpy and could use some additional oomph. The Wombtomb added some really awesome phaser effects, but you’ll hear when I was turning the knob the slow sounds great, the fast sounds great, the middle part… not so much. When I practiced a little to get some good knob settings, I definitely got some great sounds out of the Generation Loss, but I wasn’t as impressed in the recording… I am chocking it up to the difference between Wow and Flutter, and I picked the wrong one in the recording. Well Generation Loss wasn’t bad, I just know it can do better. What else? Oh, Mood scares me in live situations… I had some really cool sounds when I was practicing, but it is totally hit or miss when you’ve got complex sounds going and when you engage/disengage the sample really matters. This try, Mood missed… *sigh*… some day I will learn to control it better.
This is just messing around with the Akai MPC X, I tapped out a beat using the Rawcutz sample pack, and for those that care the sound kit is “HipHop-Kit-RC Ace Kit 95.xmp”. Yeah yeah… I usually do my own chopping and sampling… but I was more interested in just putting something together quick and checking out how hot the output levels are on the MPC X, and how badly distorted it would get going through the Chase Bliss pedals.
For one… the level and impedance are a bit too much for the pedals, unless you want a distorted and over driven sound. You don’t have direct control with a knob for the outputs 3-8, so you’ll either need a mixer, or in my case, I just dropped the output by -20db. This seemed like the right amount. This also means that to get back from guitar pedal level, back to line level, you’ll need to bring the signal in a bit hot again. You can absolutely create clipping/over drive problems doing this, and it might be on output or on input issue, but you’ll just have to trust your ear… or get fancy out board gear to measure your signals.
This isn’t anything terribly fancy, I was just having fun blasting the sounds through the pedals and seeing what came out. I’m pleasantly surprised that the Spectre did not go into immediate whale calls, because that’s a frequent side effect of this pedal. For this play through, I was less excited by the Brothers pedal, to my ears it just made the signal too hot. I’ll have to experiment with pedal ordering some more, and it’s possible Condor would help a bit with sound sculpting in this case.
Just for fun, here’s a video I recorded for the festivities today. A single sleigh bell sound, processed through a bunch of Chase Bliss Audio effects and pedals. This is not a song, think of it more as an FX test.